This book explores the relationship between the management of creativity and creative approaches to management. Challenges the stereotypical opposition between ‘creatives’ and ‘suits’. Draws on the work of management theorists such as Mintzberg and Porter and creativity theorists such as Amabile and Boden. Draws on the practical experience of individuals workin...(展开全部)

This book explores the relationship between the management of creativity and creative approaches to management. Challenges the stereotypical opposition between ‘creatives’ and ‘suits’. Draws on the work of management theorists such as Mintzberg and Porter and creativity theorists such as Amabile and Boden. Draws on the practical experience of individuals workin...(展开全部)

Bringing together ground-breaking essays from across the disciplinary spectrum, Creative Industries chronicles how culture is produced, packaged, and circulated in a technology-enabled and globalized world. This is the first systematic analysis of the challenge of the creative industries in a world where innovation and risk are requirements for both economic and cultural enterp...(展开全部)

This text explores the organisation of creative industries, including the visual and performing arts, movies, theatre, sound recordings, and book publishing. In each, artistic inputs are combined with other, "hundrum" inputs. But the deals that bring these inputs together are inherently problematic artists have a strong views; the muse whispers erratically, and consumer approva...(展开全部)

This text explores the organisation of creative industries, including the visual and performing arts, movies, theatre, sound recordings, and book publishing. In each, artistic inputs are combined with other, "hundrum" inputs. But the deals that bring these inputs together are inherently problematic artists have a strong views; the muse whispers erratically, and consumer approva...(展开全部)

In his compelling follow-up to The Rise of the Creative Class, Richard Florida outlines how certain cities succeed in attracting members of the 'creative class' - the millions of people who work in information-age economic sectors and in industries driven by innovation and talent.

迈克尔•米哈尔科  作为美国军人，他曾为北约组织提供富有创造性的问题解决方案；  进入商界，他为全球500强的王牌智囊团进行培训，成为杰出的创新思维领域的专家；  世界公认的创造力大师，他的《米哈尔科商业创意全攻略》（thinker toys）畅销全球20余年，成为世纪商业必读经典。

迈克尔•米哈尔科  作为美国军人，他曾为北约组织提供富有创造性的问题解决方案；  进入商界，他为全球500强的王牌智囊团进行培训，成为杰出的创新思维领域的专家；  世界公认的创造力大师，他的《米哈尔科商业创意全攻略》（thinker toys）畅销全球20余年，成为世纪商业必读经典。

维克多·罗恩菲德：宾夕法尼亚州立大学艺术教育教授，他强调美术教学应以儿童为中心，认为应当通过适当的媒材和主题来激发儿童的兴趣，提出应根据儿童不同的发展阶段特征来设计课程，出版了多部关于艺术教育的经典专著，被称为美国教育力量的代表。他的工具论美术教育思想影响了美国和西方乃至全球的许多艺术教育家。

Blending scholarship and imaginative writing, ASU business professor Kinicki (of Kreitner/Kinicki Organizational Behavior 8e) and writer Williams (of Williams/Sawyer Using Information Technology 7e and other college texts) have created a highly readable introductory management text with a truly unique student-centered layout that has been well received by today's visually orien...(展开全部)